supported by 4 fans who also own “Pretty Girls all in a Row”
This album could easily have been just a less-than-reverential pastiche of its source material, or worse, an ersatz tourist piece that reduced the original Congolese musicians to mere drum-banging curiosities. Mercifully, Peder Mannerfelt has used modern studio technology to reinterpret and expand their extraordinary sound, the result being a remarkably cohesive and dynamic record that demands all the attention you can give it. Brilliant. Nic Brown